Whatever your requirement, we offer a full production service for the creation and facilitation of TV & Cinema Commercials, Digital and Corporate videos.
Our pitching documents are informative, polished and client-friendly. learn more
Award-winning 2D, CGI, Stop-frame, Clay-mation, Puppetry, SFX, Motion Graphics and Typography.learn more
London is acknowledged as the film production capital of Europe, with a wealth of creative and technical talent. learn more
Commercials Unlimited offers an unparalleled Production Service for every kind of shoot anywhere in the world, utilising our 20 years’ experience and our outstanding production value. When pitching we are always happy to provide multiple directorial treatments, style references and boards with associated budgets and a detailed production template.
Initial quoting service for any size of budget.
We can assist agencies when pitching to client. Our documents serve very much as the templates for the entire production.
Location research, sourcing and management.
Featured artists, background artists and voice-overs plus usage and buyout negotiation.
Production insurance and all permits.
Highly skilled and experienced production crews, including bi-lingual for overseas clients.
The latest camera, lighting & sound gear.
Set builds, props, wardrobe, animals, models & special effects.
Character design and free visualisation tests.
From commercials to long form.
World-leading sound and visual post production.
Forget archaic FTP directories! Our secure client pages enable you to track and share all elements of the production from initial showreels, and creative interpretations to final edits.
Facilitating fast and easy communication, this centralised production hub simplifies the approval processes, content sharing and version control.
Our Christmas campaign for Photobox was broadcast in the UK, Ireland, France, Belgium, Germany, Denmark, Australia and New Zealand. Directed by Amanda Bluglass, with creative by Colin Melville, we shot over 4 days on the Riviera…the English Riviera that is; as well as a stunning locatio... read more
Rob works as a Director/DOP. The way he sees it – particularly with food spots – is that directing and lighting are part and parcel of the same thing; nothing gets lost in translation and this symbiosis also smiles on the budget. As a meticulous planner in terms of storyline/content, ... read more
Paul Henman is universally known for his more expansive work with clients such as BP, Bentley, Microsoft, Lexus and Coca-Cola, but he’s not adverse to purely studio shoots and liked the challenges offered by the Cetraben script.
Produced for agency Bray Leino, this one day shoo... read more
While on holiday in Florida with my wife Liz and our two young boys, I had a go at ‘Gator’ wrestling.
It wasn't easy avoiding those massive jaws but Liz eventually agreed that I could have a go.
While on top of the Gator it occurred to me that this is actually a gr... read more
Matt Berndt is often pigeon-holed as a car director - with good reason when you see his exceptional work for Porsche, Mercedes, BMW and Toyota. However, as his car commercials often feature as much lifestyle as shiny metal, it’s not surprising that this beauty spot for Gucci perfectly de... read more
Rather than fabricating a storyline, this film was shot in the remote wilds of the Namibian desert as a pure demonstration of this amazing prototype in action. ... read more
With the World Cup just around the corner, we’re building ourselves into a fever pitch and are poised for kick off, ready to pitch for any football-related projects you have in the tunnel. Our previous commercials around earlier World Cups have included Umbro with the England team in a ... read more
"It's easy to make bad commercials. Whatever the budget. It's much harder to make good commercials, let alone great ones. We had a big idea and a brave client. A client who wanted to change his brand’s position. And we we're being ambitious with the idea, too. A 40 second spot and six 30 second spots on not exactly a massive budget. What we did have though, was a production company who are experts at delivering to a vision and ambition of this type. A production company that always seem to be able to take the budget and turn out spots that punch well above their weight. They have the experience to know how to bring in the right talent to make things happen. And what really makes Commercials Unlimited great is that they are simply great people to work with. Given all this, I think we made some very good commercials!"
Ian McKinnon-EvansCreative Director, The Point
“Working with Commercials Unlimited on Salaam Insurance was a joy and a pleasure. The TVC delivered was a piece of work that everyone from client to creative was proud of. Suki directed with much gusto and enthusiasm, whilst taking the concept to a new level. Simon, Neil and Jo planned the production brilliantly throughout and the technical expertise of the CGI was flawless. Without doubt, a tricky brief was turned around with much professionalism and dedication.”
Andy Bolter. Creative Director, Pepper Corporation
"This was the first time I’ve worked with Commercials Unlimited - although I have worked with Laurie Castelli in the past – and I found the whole production team fantastic; nothing was too much trouble, the production values were second to none and overall the team were accommodating, supportive and created a real ‘Team Spirit’. My first experience working with Commercials Unlimited therefore ticked all the right boxes and I would be more than happy to work with them again and to recommend them to friends and colleagues within the industry."
Betsy KellyFreelance agency producer. London.
'From the onset I had a very clear vision of what we needed to achieve, so I was delighted when Commercials Unlimited proposed moving the shoot to Barcelona to overcome the problems of (potentially) poor light and cluttered environments. I was delighted too when they produced a real Atlantic cod for Red Vision to base their fish CGI on. The deadline was extremely tight, but having Graham Collier (the animator) along on the shoot was a great help in speeding up the subsequent CGI process. It was important too that the Big Fish appeared friendly whilst appearing authentic throughout and by virtue of what proved to be a real team effort, we achieved all our objectives and had a lot of fun besides.’
Keith Lishman - Creative DirectorCreative Director, Principles Agency
