Whatever your requirement, we offer a full production service for the creation and facilitation of TV & Cinema Commercials, Digital and Corporate videos.
Our pitching documents are informative, polished and client-friendly. learn more
Award-winning 2D, CGI, Stop-frame, Clay-mation, Puppetry, SFX, Motion Graphics and Typography.learn more
London is acknowledged as the film production capital of Europe, with a wealth of creative and technical talent. learn more
Commercials Unlimited offers an unparalleled Production Service for every kind of shoot anywhere in the world, utilising our 20 years’ experience and our outstanding production value. When pitching we are always happy to provide multiple directorial treatments, style references and boards with associated budgets and a detailed production template.
Initial quoting service for any size of budget.
We can assist agencies when pitching to client. Our documents serve very much as the templates for the entire production.
Location research, sourcing and management.
Featured artists, background artists and voice-overs plus usage and buyout negotiation.
Production insurance and all permits.
Highly skilled and experienced production crews, including bi-lingual for overseas clients.
The latest camera, lighting & sound gear.
Set builds, props, wardrobe, animals, models & special effects.
Character design and free visualisation tests.
From commercials to long form.
World-leading sound and visual post production.
Forget archaic FTP directories! Our secure client pages enable you to track and share all elements of the production from initial showreels, and creative interpretations to final edits.
Facilitating fast and easy communication, this centralised production hub simplifies the approval processes, content sharing and version control.
Our Christmas campaign for Photobox was broadcast in the UK, Ireland, France, Belgium, Germany, Denmark, Australia and New Zealand. Directed by Amanda Bluglass, with creative by Colin Melville, we shot over 4 days on the Riviera…the English Riviera that is; as well as a stunning locatio... read more
Rob works as a Director/DOP. The way he sees it – particularly with food spots – is that directing and lighting are part and parcel of the same thing; nothing gets lost in translation and this symbiosis also smiles on the budget. As a meticulous planner in terms of storyline/content, ... read more
Paul Henman is universally known for his more expansive work with clients such as BP, Bentley, Microsoft, Lexus and Coca-Cola, but he’s not adverse to purely studio shoots and liked the challenges offered by the Cetraben script.
Produced for agency Bray Leino, this one day shoo... read more
While on holiday in Florida with my wife Liz and our two young boys, I had a go at ‘Gator’ wrestling.
It wasn't easy avoiding those massive jaws but Liz eventually agreed that I could have a go.
While on top of the Gator it occurred to me that this is actually a gre... read more
Matt Berndt is often pigeon-holed as a car director - with good reason when you see his exceptional work for Porsche, Mercedes, BMW and Toyota. However, as his car commercials often feature as much lifestyle as shiny metal, it’s not surprising that this beauty spot for Gucci perfectly de... read more
Rather than fabricating a storyline, this film was shot in the remote wilds of the Namibian desert as a pure demonstration of this amazing prototype in action. ... read more
With the World Cup just around the corner, we’re building ourselves into a fever pitch and are poised for kick off, ready to pitch for any football-related projects you have in the tunnel. Our previous commercials around earlier World Cups have included Umbro with the England team in a ... read more
Commercials Unlimited As a creative your job’s already over by the time it comes to shooting your prized piece of work. In theory. Of course in practice you’re more likely to pull your hair out, end up hoarse and put down a deposit on a new ulcer. With Commercials Unlimited I’m pleased to say that I ended up doing none of those things. The guys exuded a calm professionalism and confidence throughout the shoot and, without being fussy, were attentive and courteous both towards our people and the project itself. Budget, timings and details were tight throughout, and we’ll be talking with Commercials Unlimited again as soon as the opportunity presents.’ In the storyboard of course your pooch will do all sorts of wonderful things, performing like a dream every time. Then you get the night-before nerves, as you hope to God that the reality comes somewhere close to the vision in your mind. With Rob Payton directing, I’m delighted to say that our pooch followed the script to the letter. His experience is in the details, and his relaxed control is just the kind of touch that puts everyone – animals included – at ease. We got exactly what we asked for, and a director who was constantly keen to ensure we were happy. Delighted to recommend Rob, and delighted to work with him at any time."
Nick McGivney Copywriter, Grey Helme
"It's easy to make bad commercials. Whatever the budget. It's much harder to make good commercials, let alone great ones. We had a big idea and a brave client. A client who wanted to change his brand’s position. And we we're being ambitious with the idea, too. A 40 second spot and six 30 second spots on not exactly a massive budget. What we did have though, was a production company who are experts at delivering to a vision and ambition of this type. A production company that always seem to be able to take the budget and turn out spots that punch well above their weight. They have the experience to know how to bring in the right talent to make things happen. And what really makes Commercials Unlimited great is that they are simply great people to work with. Given all this, I think we made some very good commercials!"
Ian McKinnon-EvansCreative Director, The Point
We had been given our brief from a new and important client (Western Union), and as an Agency were incredibly conscious of the need to impress. We presented the script to Commercials Unlimited, and then the budget. This was going to be a tricky commercial to say the least – involving Caribbean acrobats and a hectic Brixton location. Within hours of my first meeting with Commercials Unlimited, my mind was at ease. They had not only fully understood the direction I wanted this production to go in, but had grabbed hold of it with passion and enthusiasm. They took all the worry of short timescales, tight budget and logistical traumas, and presented me with a solution that was over and above our expectations. The shoot went incredibly well, with the outstanding crew working together to create a finished product that all parties were over the moon with. The communication between Agency / Crew and Client was flawless, and with this in mind we are already planning our next commercial with the same client, which I am looking forward to discussing with Luke and the team.'
Joanna WatermanAccount Manager - WFCA
Mazda 2 Interactive film "When they approached the brief, Commercials Unlimited showed immediately that they understood the convergence of media formats; they passionately believe – as we do – that the web as a medium is no longer the poor relation to television. With our high profile pan-European product launch for Mazda2 it was critical that we engaged a production company with the same mind set and who would be flexible when regional variances were identified, that progress could be communicated easily to all parties on a day to day basis, that the budget was strictly adhered to and that the launch date would not be compromised. On all counts, Commercials Unlimited met, and in many instances exceeded, our expectations. A special note of distinction has to go to the Director, Suki; he demonstrated throughout a level of creativity and obvious expertise in the medium under circumstances that could have been perceived as a logistical mountain with very little time to climb."
Jonathan Coffin Producer, Syzygy
