Whatever your requirement, we offer a full production service for the creation and facilitation of TV & Cinema Commercials, Digital and Corporate videos.
Our pitching documents are informative, polished and client-friendly. learn more
Award-winning 2D, CGI, Stop-frame, Clay-mation, Puppetry, SFX, Motion Graphics and Typography.learn more
London is acknowledged as the film production capital of Europe, with a wealth of creative and technical talent. learn more
Commercials Unlimited offers an unparalleled Production Service for every kind of shoot anywhere in the world, utilising our 20 years’ experience and our outstanding production value. When pitching we are always happy to provide multiple directorial treatments, style references and boards with associated budgets and a detailed production template.
Initial quoting service for any size of budget.
We can assist agencies when pitching to client. Our documents serve very much as the templates for the entire production.
Location research, sourcing and management.
Featured artists, background artists and voice-overs plus usage and buyout negotiation.
Production insurance and all permits.
Highly skilled and experienced production crews, including bi-lingual for overseas clients.
The latest camera, lighting & sound gear.
Set builds, props, wardrobe, animals, models & special effects.
Character design and free visualisation tests.
From commercials to long form.
World-leading sound and visual post production.
Forget archaic FTP directories! Our secure client pages enable you to track and share all elements of the production from initial showreels, and creative interpretations to final edits.
Facilitating fast and easy communication, this centralised production hub simplifies the approval processes, content sharing and version control.
Our Christmas campaign for Photobox was broadcast in the UK, Ireland, France, Belgium, Germany, Denmark, Australia and New Zealand. Directed by Amanda Bluglass, with creative by Colin Melville, we shot over 4 days on the Riviera…the English Riviera that is; as well as a stunning locatio... read more
Rob works as a Director/DOP. The way he sees it – particularly with food spots – is that directing and lighting are part and parcel of the same thing; nothing gets lost in translation and this symbiosis also smiles on the budget. As a meticulous planner in terms of storyline/content, ... read more
Paul Henman is universally known for his more expansive work with clients such as BP, Bentley, Microsoft, Lexus and Coca-Cola, but he’s not adverse to purely studio shoots and liked the challenges offered by the Cetraben script.
Produced for agency Bray Leino, this one day shoo... read more
While on holiday in Florida with my wife Liz and our two young boys, I had a go at ‘Gator’ wrestling.
It wasn't easy avoiding those massive jaws but Liz eventually agreed that I could have a go.
While on top of the Gator it occurred to me that this is actually a gr... read more
Matt Berndt is often pigeon-holed as a car director - with good reason when you see his exceptional work for Porsche, Mercedes, BMW and Toyota. However, as his car commercials often feature as much lifestyle as shiny metal, it’s not surprising that this beauty spot for Gucci perfectly de... read more
Rather than fabricating a storyline, this film was shot in the remote wilds of the Namibian desert as a pure demonstration of this amazing prototype in action. ... read more
With the World Cup just around the corner, we’re building ourselves into a fever pitch and are poised for kick off, ready to pitch for any football-related projects you have in the tunnel. Our previous commercials around earlier World Cups have included Umbro with the England team in a ... read more
We worked on a Bisto TV commercial with Commercials Unlimited and were delighted with the results. Good production and planning by Neil, Jo and Simon meant we were able to get through a lot of food set-ups over two days. Rob Payton directed with great energy and creativity and food stylist Clare Ferguson was excellent.
Aidan Dowling Copywriter, Irish International BBDO
Just a quick note to say how much we have appreciated your collective expertise, professionalism and patience throughout this project. You brought the storyboard to life superbly, and the resulting ad looks terrific. Many thanks. You were a pleasure to work with.
Rob YoungJoint Creative Director, Fox Murphy Advertising
'From the onset I had a very clear vision of what we needed to achieve, so I was delighted when Commercials Unlimited proposed moving the shoot to Barcelona to overcome the problems of (potentially) poor light and cluttered environments. I was delighted too when they produced a real Atlantic cod for Red Vision to base their fish CGI on. The deadline was extremely tight, but having Graham Collier (the animator) along on the shoot was a great help in speeding up the subsequent CGI process. It was important too that the Big Fish appeared friendly whilst appearing authentic throughout and by virtue of what proved to be a real team effort, we achieved all our objectives and had a lot of fun besides.’
Keith Lishman - Creative DirectorCreative Director, Principles Agency
"This was the first time I’ve worked with Commercials Unlimited - although I have worked with Laurie Castelli in the past – and I found the whole production team fantastic; nothing was too much trouble, the production values were second to none and overall the team were accommodating, supportive and created a real ‘Team Spirit’. My first experience working with Commercials Unlimited therefore ticked all the right boxes and I would be more than happy to work with them again and to recommend them to friends and colleagues within the industry."
Betsy KellyFreelance agency producer. London.
